Tyler Perry’s New Prime Video Movie Gets Rare 0% Rotten Tomatoes Score

Tyler Perry’s latest film, *Divorce in the Black*, has made a notable impact on Rotten Tomatoes, though not in the way Perry would have hoped. Released on July 11 on Prime Video, this drama explores a couple’s troubled marriage as they grapple with past misdeeds and the prospect of divorce. Perry, known for his Madea movies, took on the roles of director, producer, and writer for this project. Unfortunately, the reviews for *Divorce in the Black* have been overwhelmingly negative.

Currently, *Divorce in the Black* holds a rare 0% score on the Rotten Tomatoes Tomatometer based on 10 professional reviews. This unanimous consensus among critics indicates that Perry’s latest film is widely considered a misstep. The audience score, while slightly better at 54%, still falls into the “Rotten” category.

TYLER PERRY’S HISTORY ON ROTTEN TOMATOES

Perry is no stranger to negative reviews. Out of his 45 films, only nine have been rated “Fresh” on Rotten Tomatoes, with just two achieving the coveted “Certified Fresh” status. In contrast, 30 of his movies have been labeled “Rotten,” despite his success at the box office. It’s important to note that a 0% Tomatometer score doesn’t mean every critic rated the film 0 out of 10; it simply means all participating critics gave it a negative review. The average rating among critics is currently 3.8 out of 10.

Audience scores often diverge significantly from critics’ opinions when it comes to Perry’s work. While *Divorce in the Black* received low scores from both critics and audiences, the 54% audience score indicates some level of appreciation, unlike the unanimous disdain from critics. This discrepancy between critical and audience reception has been a recurring theme throughout Perry’s career.

This time, however, both critics and audiences seem to agree that *Divorce in the Black* falls short. The 54% audience score is still considered “Rotten,” marking a rare consensus between the two groups. Perry’s Madea films have generally enjoyed more favorable audience reception, but his latest work appears to have disappointed even his loyal fans. With a 0% Tomatometer score, this film represents the lowest point in Perry’s career, adding to a series of poorly received projects.